![]() ![]() That self-awareness and a willingness not to take itself too seriously (Star Wars is essentially one big space opera, after all) is a big part of what makes The Last Jedi feel unique in the franchise. Image used with permission by copyright holder The dry humor of series veterans Hamill and Fisher provides some of the film’s funniest moments, and Johnson’s script seems unafraid to poke fun at what the audience expects from the film, only to turn around and offer something more rewarding to fans in return. The Star Wars franchise isn’t exactly known for its comedy, but Johnson’s script peppers the story with funny moments that play to his cast’s strengths. ![]() That last aspect of the film is an important one, as Johnson’s willingness to acknowledge then overtly dismiss or minimize certain elements or moments that Star Wars fans have been trained to revere is not just a bold move, but a refreshing one - due in no small way to how expertly it’s handled.Īlong with being the longest installment of the franchise, The Last Jedi might also be the funniest film in the series, too. ![]() Although the film does an impressive job of spreading screen time around among its large cast, it’s her story that does most of the heavy lifting when it comes to expanding the saga narratively and validating what is - and more frequently, what isn’t - important about the series canon. Of the returning characters, Ridley’s mysterious, Force-sensitive scavenger, Rey, and Driver’s angsty aspiring Sith, Kylo Ren, are the most extensively developed in The Last Jedi, with Rey’s story arc serving up a particularly satisfying bridge between the past and the future of the Star Wars franchise. T he Last Jedi seems more inclined to spread its narrative wings and explore the universe that the eight prior films established. ![]()
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